Cory Branan

Cory Branan

Paul Keen

Tue, November 14, 2017

Doors: 7:00 pm / Show: 8:00 pm

This event is all ages

Cory Branan
Cory Branan
ADIOS is Cory Branan’s death record. Not the cheeriest of openings, but like all of Branan’s mercurial work, it’s probably not what you think. As funny and defiant as it is touching and sad, this self-dubbed “loser’s survival kit” doesn’t spare its subjects or the listener.

Not even Branan’s deceased father is let off the hook. In the tender homage “The Vow” he drolly cites his father’s favorite banality “that’s what you get for thinking” as “probably not the best lesson for kids.” For most songwriters that would be the punchline but Branan pushes through words and, in his father’s actions, finds a kind of “genius in the effortless way he just ‘did’.”

Not all the death on ADIOS is literal mortality. “Imogene” is sung from the wreckage of a love that once “poked fun at the pain, stoked the sun in the rain” but ends with the urgent call to “act on the embers, ash won’t remember the way back to fire.”

The trademark lyrical agility is mirrored sonically. Never a genre loyalist, ADIOS finds Branan (much like his musically restless heroes Elvis Costello and Tom Waits) coloring outside the lines in sometimes startling shades of fuzz and twang. While unafraid to play it arrow-straight when called for (“The Vow,” “Equinox,” “Don’t Go”), ADIOS veers wildly from the Buddy Holly-esque rave up “I Only Know” (sung with punk notables Laura Jane Grace and Dave Hause), through the swampy “Walls, MS” to the Costello-like new wave of “Visiting Hours.”

The blistering punk of “Another Nightmare in America” bops along daring listeners to “Look away, look away, move along, nothing to see here” (the song is written from the point of view of a racist killer cop). And as the mourning singer on “Cold Blue Moonlight” shifts from paralysis to panic, the song’s jazzy drone shifts to an almost Sabbath fury. The tonal shifts are always deliberate and not just simple genre hopping; while the turns can be jarring you can trust Branan to take you somewhere unexpected.

The 14-song album was self-produced and recorded in the spring of 2016 at Tweed Studios in Oxford, MS with a tight three piece: Branan on lead vocals and guitar (both electric and acoustic); Robbie Crowell (formerly of Deer Tick) on drums and percussion, keys, and horns; and James “Haggs” Haggerty on bass. Additionally, Amanda Shires contributes on fiddle and vocals, and Laura Jane Grace of Against Me! and Dave Hause provide guest vocals.

Cory Branan has four previous full-length releases: The Hell You Say (2002, Madjack Records), 12 Songs (2006, Madjack), Mutt (2012, Bloodshot Records), and The No-Hit Wonder (2014, Bloodshot). His music has received critical praise from the likes of Rolling Stone and Rolling Stone Country, NPR All Things Considered, Noisey, Wall Street Journal, Paste Magazine, Oxford American, Consequence of Sound, Southern Living, and many others.
Paul Keen
Paul Keen
Being the lead singer of Pawnshop Roses for 13 years, Paul Keen was known for his awesome Rock n' Roll shows that drove crowds into a frenzy, and with his songwriting spanning nearly every genre, the sound could only be described as "rock-n-roll outlaw country soul". But with his debut solo album "What I'm Under", Paul ventures into his own version of "Americana" with a twist of "Brit-rock-n-country" with some of the catchiest tunes and melodies you'll ever hear. Fans of Pawnshop Roses definitely won't be surprised as they often heard Paul polishing this sound with a few songs every show...songs that often caught the crowd off-guard, but always left them wanting more. Now, "What I'm Under" is their chance to hear more.

"What I'm Under" was produced and engineered by the very talented Pete Donnelly (The Figgs, NRBQ, Soul Asylum) who also plays on many of songs.
Venue Information:
The Kennett Flash
102 Sycamore Alley
Kennett Square, PA, 19348
http://www.kennettflash.org